Blog Layout

Kaitlyn Aquino • Sep 27, 2023

Music and Neurodiversity - Developmental Coordination Disorder

Developmental Coordination Disorder (DCD), also called dyspraxia, is a chronic condition affecting fine and gross motor coordination. Impacting nearly 6% of school-aged children, risk factors include being born prematurely or with a low birth weight, as well as a family history of the disorder.

 

In kids with dyspraxia the issue is not with their muscles, but rather the communication between their brain and their muscles. Coordination problems happen because the brain has a hard time telling the body what to do.

 

Symptoms of DCD include difficulty with fine motor skills such as using a pencil, eating with a spoon, making hand gestures or getting dressed, as well as gross motor skills such as walking, running, kicking and throwing. As a result children with DCD often avoid activities like drawing and writing or playing sports.

 

While there is no cure for DCD, therapy can help children improve their coordination by being taught how to do an activity by breaking it into smaller parts and practicing them regularly. Activities can also be adapted to make them easier, such as using special grips for utensils.

 

How does music come into play?

 

Music activates different regions of the brain, creating alternative routes for the transfer of information. In fact, research shows that music activates the motor cortex. The structure and predictability of music helps the brain to time our movements - this is called priming. Moving rhythmically is important for full body regulation and allows the brain and the muscles to communicate more efficiently.

 

For example, crossing the midline activates both sides of the brain. When we execute this movement to music we are strengthening the connection between our right and left hemispheres, as well as practicing reaching and trunk rotation. A music therapist might set up an instrument target, such as the drums or chimes, for the child to hit to practice this function.

 

To target fine motor skills, a child can learn an instrument such as the piano to practice finger dexterity exercises that will make tasks like tying their shoes or fastening buttons easier. Improvisational instrument playing that involves the use of a mallet or drumstick can also improve grasping and reaching movements which can help with self-feeding or drawing and writing. To target gross motor skills, a music therapist can create different musical patterns that reflect a desired movement to provide spatial, temporal and force cues. For example, if you want a child to practice reaching you might play high on the piano versus low for touching the ground.

 

Music and movement is an effective way to target coordination. Not only does the rhythm provide structure and timing, but the music can create a safe and motivating space to practice movements that a child with DCD might be struggling with.

By Shelley Neal 08 Mar, 2024
I initially trained with MUSIC CARE to work with Seniors in Long Term Care who were experiencing dementia and Alzheimer’s Disease. This is the path I travelled with my mom. My training with Music Care and Room 217 supported capacity building in selecting music that was played on my harp or chosen recorded music. The music centered on the care of the individual and their specific needs. My job was to determine the individual’s specific and select music to address these needs. The music selected helped to build community, support sleep, talk about life experiences, create a background landscape of sound, support connection to decrease isolation and loneliness, as well as coming alongside people dying. My training with Music Care helped me understand how to support people “where they were” physically, emotionally, and spiritually. Through using beat, tempo, melody, and timbre, I could cater the music and desired support required for individuals or small groups. My profession is teaching. I am a special education teacher and use music in my primary teaching as a method for learning, practicing language skills, transmitting information about science studies or math equations, as well as having fun and creating our own songs. My teacher toolkit married exceptionally well with the knowledge and skills provided by the Music Care Certification training. Recently, my work with students has involved individual programming for the medically fragile children and the palliative children. I use music (repeating the chorus several times) to engage and connect with the kiddos. We use music to "talk" about feelings (our communication is through eye gaze, eye blinks, and squeezing hands), and content material. I use music to enjoy our relationship of being together. At times, due to medication for seizures, my little ones can be very sleepy. I increase the tempo, engaging in tapping the beat on her hands and using silly action songs. The giggles and wiggles make it magical. I also use music to tell stories (my students have CVI, cortical vision impairment, so visual perception is difficult). This helps the child to engage in the story arch and adventures. Music is my conduit for reaching out and being with the students. Recently, I had the sacred journey of visiting one of my children in ICU at Sick Kids. I was invited to come to say "goodbye". A dear friend who was an ICU nurse in a different department told me (AKA, insisted) that I bring my harp with me. I wasn't sure if this would be appropriate for the family. However, with the permission of the mom, I bravely packed my harp up and took it to the Unit. It was a beautiful evening of talking with their mom and dad about how special their child was in my life. I played the kiddo's favorite songs and then ended with "The More We Get Together". The little one opened their eyes and stared at me. We hugged, and I left. They passed the next morning. I consider this time to be a sacred gift. Music Care Certification has given me the confidence and toolset to work alongside people and to journey together. It is a time a beautiful, difficult, or sacred time that I have been honoured to participate in.  Thank You
By Julia Cara 29 Mar, 2022
This article was written by Julia Cara, and is part of a series provided by upper year Health Sciences students at McMaster University.
By Bev Foster 10 Jan, 2022
I will never forget the call that came on that cold, crisp January afternoon twenty years ago. I knew it was imminent. I was expecting it and I thought I was ready. But would I ever be ready to say the final farewell to my father?
By Deb Bartlett 11 Sep, 2020
Poodles skirts, saddle shoes, ducktails and fins on your cars. If these words don’t evoke memories and images from the ‘50s maybe this will:
By Deb Bartlett 28 Aug, 2020
Ask people what folk music is, and you'll get a variety of answers. Is it about the music? The lyrics? The song's history? According to Wikipedia's entry on folk music , it's all of those things: music that's performed by custom over a long period of time; that has no known composers; and that has been transmitted orally. It can describe the traditions of the "uncultured classes" and definitely means it's music of the people. And because it's been shared orally, it is music that has a place, or is indicative of a community. In some circles, because folk music tells stories about events and history, it's known as world music. In a dissertation, Rachel Clare Donaldson simply stated "Folk music is what the people sing."
By Deb Bartlett 24 Aug, 2020
As explained in this blog post Not Afraid album, the intent behind the Not Afraid album was not to tell people in hospice palliative care that they needn't be afraid; it was to let them know there are people who love them and are sharing the journey.
By Deb Bartlett 17 Aug, 2020
Room 217 ’s music was designed for use in palliative care. The music is produced at 60 beats per minute (resting heart rate) which has several benefits for the person receiving palliative care. It also aids others in the circle of care. This link will take you to a report that discusses the benefits of music in hospice palliative care .
By Deb Bartlett 11 Aug, 2020
Do you remember where you were the first time you heard them? The Beatles? Had you heard them on the radio? Or was your first experience with The Beatles watching the Jack Paar show, or Ed Sullivan?
By Deb Bartlett 29 Jul, 2020
Room 217’s British Invasion album features 16 tracks of soloists and bands from the U.K. that changed the North American music scene.
By Deb Bartlett 16 Jul, 2020
R-E-S-P-E-C-T. That’s all you need to read and you know the song. In fact, you likely sang it as you read it.
More Posts
Share by: